Showing posts with label Asiatica. Show all posts
Showing posts with label Asiatica. Show all posts

Wednesday, October 17, 2012

Buddha's Army — Part Two: Shirahige Shrine at Lake Biwa


There has always been an instinct in East Asia to clone objects of Buddhist veneration for the purpose of acquiring merit -- for example the endless reproduction of mani stones in Tibet, the ritual copying of the Heart Sutra with ink and brush, the countless stone-carved Buddhas and Bodhisattvas that adorn the temples and cemeteries.

Stonecarved Buddha statues are ubiquitous in Japan, found not only on holy ground but in also quite unexpected places: one can go for a hike in the mountains and stumble upon a little stone shrine next to the trail, a propos apparently of nothing at all.

The little statues can be centuries old, and more often than not the tourist will encounter them in small assemblies, where they have been collected to make use of the land where they were first erected.

There is a particularly nice congregation gathered at the Shirahige Shrine at Lake Biwa. The statues are considerably larger than normal, and the little park integrates a traditional Shinto shrine as well, which is somewhat unusual in Japan since Buddhist and Shinto sites generally maintain a respectful distance.








Each figure retains its own individual personality, in contra-distinction to Southeast Asia,
where standard canonic forms are conventionally reproduced. 







The famous tori-i stands directly opposite the Shirahige Shrine.




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Sunday, August 19, 2012

Buddha's Army — Part One


The surprising discovery early this year of about 3000 Buddha figures buried in a riverbed in Hebei Province will be a source of fascination to anyone interested in East Asian Buddhist iconography and archaeology. This photo which accompanied an article about the find in the National Geographic Daily News from April 12 might represent the future Maitreya Buddha in a traditional contemplative posture as he cogitates upon ways to assist mankind in its restless quest for  enlightenment:


This sculpture is technically sophisticated enough to have originated in the Tang period, yet the theme is as old as Northern Wei, and the gesture universal in appearance, even if  considerably less agonized than Rodin's grunting thinkers.

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